Menno Aden is a German photographer based in Berlin whose work focuses on architectural structures and the way anonymous, inanimate objects reflect the cultures of the people who use them. In Room Portraits Aden uses a unique perspective to document the essence of people who occupy rooms without actually photographing them: instead, he positions his camera to shoot their rooms from a birds-eye view.
“For me as an artist, watching from a higher position on a small space is interesting because I can see someone’s ‘compressed personality,’” Aden wrote to Slate. “I started photographing rooms of friends in Berlin, to make portraits of them without actually seeing them,” he said.
When Aden finds a room he wants to photograph, he elevates his camera to the height of the ceiling and takes about 150 pictures for later processing. The resulting photographs are a study of three-dimensional spaces as flattened, two-dimensional objects. Items that we would normally have glanced over when we looked from ground level suddenly catch our eye when we look down upon the rooms. So far Aden has photographed living spaces, classrooms, garages, operating rooms, and commercial areas.
Untitled (D.A.) 2005, 50 x 63 cm (20 x 24″)
Untitled (H.W.) 2007, 56 x 84 cm (22 x 33″)
Untitled (Oper. Room) 2008, 80 x 129 cm (32 x 51″)
Untitled (Classroom) 2010, 178 x 140 cm (70 x 55″)
Untitled (Bar) 2011, 90 x 160 cm (35 x 63″)
Untitled (Corner Shop II) 2011, 120 x 100 cm (47 x 39″)
What do you see when you look at Menno Aden’s room portraits?
via It’s Nice That
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